Professor Bruce Hoffman, Georgetown University and author of Inside Terrorism
Professor Jessica Stern, Boston University and author of Terror in the Name of God Buy Watching Murder at Amazon
The aim of this report is to identify and critically scrutinise our understanding of terrorist radicalisation.
Norman Geras, who died 10 years ago today, was an unusual figure on the Western Left: he was a Marxist who steadfastly and unequivocally opposed militant Islamism and jihadi terrorism. As a free-thinking political theorist, he was as strident in his opposition to the abuses of Western imperial power as he was in his support for individual human rights, especially free speech. But he was also a formidable critic of the worst tendencies of his own side, often making him a pariah in that quarter.
It is hard to know exactly when it happened, but, at some point over the last three years, the word “jihad” vanished from the news. Did anyone notice? There was a time, not so long ago, when jihadists seemed to be everywhere, seizing territory abroad and sowing terror at home. We were even on first-name terms with them: “Jihadi John”, “Jihadi Jane”, “Jihadi Jack”.
ISIL is an abomination. Since capturing large swathes of territory in Iraq and Syria last summer, it has slaughtered thousands of defenceless Iraqi soldiers and Shiite civilians. It has raped and enslaved hundreds of Yazidi women. It has brutalized children by forcing them to watch scenes of horrific cruelty and violence. It has presided over public crucifixions in its stronghold of Raqqa, Syria. It has coerced boys as young as 14 to carry out suicide missions. It has launched a campaign of murderous aggression against gay men. It has stolen and vandalized ancient and irreplaceable artifacts. And it has created a vast library of snuff movies that degrades not only the defenceless victims whose deaths they depict, but also the viewers who watch them.
Why on earth, then, would anyone wish to join it?
This question was asked with renewed urgency last week after it emerged that three sisters from Bradford, U.K., together with their nine children, may have fled to Syria to join the so-called Islamic State or the “Caliphate,” as it also calls itself.
One of the most frequently asked questions about terrorism is also the most intractable. Why? Why do they do it? Why do people join terrorist groups and participate in acts of terrorism?
There are as many answers to this question as there are terrorist groups, and everyone from clerics to caustic cab drivers seems to have a confident opinion on the subject, as though the interior world of terrorists can be easily mined and mapped. But this confidence is often misplaced, given how little scholars actually know about terrorism and the people who are involved in it.
Banning contemptible viewpoints isn't going to stop anyone from having them. In fact, it may just provoke a further hardening of those beliefs, and perhaps even a violent reassertion of them by their adherents.
Who knew that Zoolander would eclipse The Siege as the most prescient Hollywood movie about jihadist terrorism?
The Siege, scripted by Lawrence Wright—who went on to author a groundbreaking study of al-Qaeda called The Looming Tower—is a pre-9/11 drama about a wave of jihadist atrocities in New York and the human-rights catastrophe thereby entrained, including the introduction of martial law and the internment of Arabs across the city. Zoolander, released just weeks after the 9/11 attacks, is by contrast a comedy about an imbecilic male model who is brainwashed by an outlandish criminal organization to carry out an act of international terrorism.
“She used to watch ‘Keeping Up With the Kardashians’ and stuff like that, so there was nothing that indicated that she was radicalized in any way — not at home.” So said Sahima Begum in her testimony before the House of Commons Home Affairs Select Committee in London this month. She was speaking about her sister Shamima, 15, who together with Kadiza Sultana, 16, and Amira Abase, 15, absconded from England last month to Turkey, eventually crossing the border into Syria.
As young Islamists hog headlines by revelling in slaughter, a procession of other young Muslims, often women, are risking all — even their lives — to abandon the faith, writes Simon Cottee
It’s all in the face, apparently. Just check out that terrifying mug shot of Mohammad Atta, the so-called “ringleader” of the 19 hijackers who staged the 9/11 attacks. His face, wrote the novelist Martin Amis in a short story about Atta, was “gangrenous” and “almost comically malevolent.” Hateful, too:
“We are in a battle, and more than half of this battle is taking place in the battlefield of the media,” Ayman al-Zawahiri, then al-Qaeda’s second-in-command, purportedly wrote in a 2005 letter to Abu Musab al-Zarqawi, the Jordanian who led al-Qaeda in Iraq at the time. The previous year, Zarqawi’s network, originally known as Tawhid and Jihad, had publicly released more than 10 beheading videos, including a video believed to show Zarqawi himself beheading the American businessman Nicholas Berg. This was bad PR, Zawahiri cautioned his hotheaded field commander, and risked alienating Muslims.
A few months ago, Amina left home. She was due to marry her father's friend: a man from Yemen nearly three times her age. The thought of it terrified her. She had expressed deep reservations from the start, but her father – a well-known sheikh in Canada with a large international following – was adamant that she was to be married and had initiated the sponsorship process to bring her prospective husband over from the Middle East.
On Tuesday, ISIS released another snuff movie: the ritualized burning to death of a captured Jordanian pilot. It is arguably the most shocking ISIS video to date. But then every major video ISIS puts out is arguably the most shocking ISIS video to date. The film of the mass beheading of some 20 Syrians last year, which ended with the display of the severed head of an American aid worker, was, at the time it was released, arguably the most shocking ISIS video to date. And so was the video, released last month, featuring a child as chief executioner in the slaughter of two men confessing at gunpoint to be Russian spies.
'The Caribbean does not immediately come to mind when we think about ISIS and yet, in 2017, Trinidad and Tobago ranked first place in the list of western countries with the highest rates of foreign-fighter radicalization, with over 240 nationals travelling to Syria and Iraq to join ISIS caliphate. Simon Cottee investigates how ISIS came to gain such an unlikely, yet significant foothold in Trinidad.'
‘Easily the most original book on the ISIS phenomenon to date. A riveting detective story with deep insights on human behavior, this is social science at its best." --Thomas Hegghammer, Senior Research Fellow at the Norwegian Defence Research Establishment and the author of The Caravan: Abdallah Azzam and the Rise of Global Jihad (2020)
'ISIS and the Pornography of Violence' is a collection of iconoclastic essays on ISIS, spanning the four-year period from its ascendancy in late 2014 to its demise in early 2018. From a trenchant critique of the infantilisation of jihadists to a probing examination of the parallels between gonzo porn and ISIS beheading videos, the pieces collected in this volume challenge conventional ways of thinking about ISIS and the roots of its appeal. Simon Cottee's core argument is that Western ISIS recruits, far from being brainwashed or 'vulnerable' dupes, actively responded to the group's promise of redemptive violence and self-sacrifice to a total cause.
The Apostates is the first major study of apostasy from Islam in the western secular context. Drawing on life-history interviews with ex-Muslims from the UK and Canada, Simon Cottee explores how and with what consequences Muslims leave Islam and become irreligious.
‘Free people should be able to abandon their religion without being punished. Simon Cottee brings us the stories of British and Canadian ex-Muslims who live in the shadow of stigma and with the threat of ostracism. Wider society has ignored them, and the most disgraceful elements of the Left have denounced them, but here they can speak for themselves. Books are too often described as “important” or “original” when they are neither. The Apostates is both.’ — Nick Cohen, columnist and author of You Can’t Read This Book: Censorship in an Age of Freedom
Christopher Hitchens—political journalist, cultural critic, public intellectual and self-described contrarian—is one of the most controversial and prolific writers of his generation. Whatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.
“The controversial pundit dishes out and takes punishment in this anthology of rancorous essays by him and the leftist comrades he abandoned to embrace the invasion of Iraq. . . .There'’s red meat aplenty for pro- and anti-Hitchens readers.” - Publishers Weekly