Professor Bruce Hoffman, Georgetown University and author of Inside Terrorism
Professor Jessica Stern, Boston University and author of Terror in the Name of God Buy Watching Murder at Amazon
The aim of this report is to identify and critically scrutinise our understanding of terrorist radicalisation.
Norman Geras, who died 10 years ago today, was an unusual figure on the Western Left: he was a Marxist who steadfastly and unequivocally opposed militant Islamism and jihadi terrorism. As a free-thinking political theorist, he was as strident in his opposition to the abuses of Western imperial power as he was in his support for individual human rights, especially free speech. But he was also a formidable critic of the worst tendencies of his own side, often making him a pariah in that quarter.
It is hard to know exactly when it happened, but, at some point over the last three years, the word “jihad” vanished from the news. Did anyone notice? There was a time, not so long ago, when jihadists seemed to be everywhere, seizing territory abroad and sowing terror at home. We were even on first-name terms with them: “Jihadi John”, “Jihadi Jane”, “Jihadi Jack”.
What do Western women who join Islamic State want? One prominent theory is what these women “really” want is to get laid. Another is that they don’t know what they “really” want, because what they want has been decided for them by male jihadi “groomers.” Both theories are meant to resolve a seeming paradox: How can any woman who enjoys democratic rights and equality before the law join or support a group which actively promotes her own oppression?
When Brahim Abdeslam bespattered himself in a restaurant in last November’s Paris attacks he didn’t much look like a man, to borrow the title of Mia Bloom’s seminal study of suicide bombing, Dying to Kill. He looked, rather, like a man killing to die. If there is a script for doing a jihadist suicide mission, as there now assuredly is, Brahim Abdeslam wasn’t following it.
Last month, CNN released video footage of Brahim Abdeslam and his younger brother Salah dancing in a nightclub alongside a blond woman, with whom Brahim, the report claimed, was flirting. “This was life before ISIS,” the voice-over to the report says. “It’s Feb. 8, 2015. Just months later, Brahim would blow himself up at a Paris cafe; Salah becomes Europe’s most wanted man.”
In his edited collection on “suicide missions,” the sociologist Diego Gambetta described his childhood admiration for Pietro Micca, a solider in the artillery regiment of the Duke of Savoy in what is now northern Italy.
“In 1706, as the French were besieging Turin,” Gambetta wrote, Micca “realized that a party of the besiegers had succeeded in penetrating the network of tunnels that were part of the city citadel, and would have no doubt been able to take it.”
Tuesday's terrorist attacks in Brussels raise two key questions: Were they related to Salah Abdeslam's arrest last week and, if so, how? It seems unlikely that the attacks were revenge for the capture of Abdeslam, the top suspect in last year's Paris attacks, because not only was he a relative nonentity in Islamic State circles but also a symbolic liability to the brand: Here is a man who reportedly walked away from a martyrdom operation, leaving his colleagues to do all the dirty work, so to speak. In other words, he isn't someone whom any other militant is likely to have sacrificed himself for. In fact, it is probable that, after Abdeslam's arrest, he would have been regarded as a threat to the wider network of terrorists in Belgium.
Flemming Rose is a marked man. To his liberal-left detractors, he is a bigoted Islamophobe, stirring up racial and religious hatred against an already embattled minority. To his defenders, he is a brave and unflinching advocate of Enlightenment values. To his jihadist persecutors, he is a blaspheming infidel fit for slaughter.
In 2014, Abdelhamid Abaaoud, the organizer of the November 2015 Paris attacks, appeared in a video, driving a pickup truck with a mound of corpses in tow. Speaking to the camera before driving off, he said: “Before we towed jet skis, motorcycles, quad bikes, big trailers filled with gifts for vacation in Morocco. Now, thank God, following God’s path, we’re towing apostates.” This was a derogatory reference to his victims, who, in his mind, were renegades from the Muslim faith and thus legitimate targets for slaughter. But it was also a telling allusion to his own irreligious past, before he found God and joined ISIS and started murdering people.
By the Islamic State’s (ISIL) customary gonzo standards, a recent video depicting the execution of five men accused of spying for the British government was relatively tame, and the gore quotient minimal. No one’s head was cut off and ceremoniously placed on their contorted and ravaged torso. Nobody was subjected to the horror of being set on fire in a cage; or drowned in a cage; or being run over by a tank; or being tied to the back of a speeding car; or having their heads literally ripped off. For ISIL, the video was, indeed, positively muted.
On Tuesday, in issue 13 of its online magazine Dabiq, ISIS confirmed the death of Mohammed Emwazi (a.k.a “Jihad John”), the group’s notorious British-accented, ninja-suited, knife-wielding executioner in HD—and poster boy of the jihadist jet set. This isn’t exactly news: Emwazi’s death was widely reported last November, after the Pentagon announced that it had targeted him in an air strike in Raqqa, Syria on November 12. “It’s still a little early, but we are reasonably certain we killed the target that we intended to kill, which is Jihadi John,” said Colonel Steve Warren.
Who is the woman in black brandishing an AK-47? She goes by the nom de guerre Umm Muthanna al-Britannia – Umm being an honorific Arabic word for mother, despite the fact it seems Umm Muthanna herself is childless.
I have been tracing her online footprint for almost a year, and it is fascinating for the light it casts on the strange and violent subculture of the approximately 600 women who have abandoned their lives and loved ones in the west for the so-called "Islamic State".
'The Caribbean does not immediately come to mind when we think about ISIS and yet, in 2017, Trinidad and Tobago ranked first place in the list of western countries with the highest rates of foreign-fighter radicalization, with over 240 nationals travelling to Syria and Iraq to join ISIS caliphate. Simon Cottee investigates how ISIS came to gain such an unlikely, yet significant foothold in Trinidad.'
‘Easily the most original book on the ISIS phenomenon to date. A riveting detective story with deep insights on human behavior, this is social science at its best." --Thomas Hegghammer, Senior Research Fellow at the Norwegian Defence Research Establishment and the author of The Caravan: Abdallah Azzam and the Rise of Global Jihad (2020)
'ISIS and the Pornography of Violence' is a collection of iconoclastic essays on ISIS, spanning the four-year period from its ascendancy in late 2014 to its demise in early 2018. From a trenchant critique of the infantilisation of jihadists to a probing examination of the parallels between gonzo porn and ISIS beheading videos, the pieces collected in this volume challenge conventional ways of thinking about ISIS and the roots of its appeal. Simon Cottee's core argument is that Western ISIS recruits, far from being brainwashed or 'vulnerable' dupes, actively responded to the group's promise of redemptive violence and self-sacrifice to a total cause.
The Apostates is the first major study of apostasy from Islam in the western secular context. Drawing on life-history interviews with ex-Muslims from the UK and Canada, Simon Cottee explores how and with what consequences Muslims leave Islam and become irreligious.
‘Free people should be able to abandon their religion without being punished. Simon Cottee brings us the stories of British and Canadian ex-Muslims who live in the shadow of stigma and with the threat of ostracism. Wider society has ignored them, and the most disgraceful elements of the Left have denounced them, but here they can speak for themselves. Books are too often described as “important” or “original” when they are neither. The Apostates is both.’ — Nick Cohen, columnist and author of You Can’t Read This Book: Censorship in an Age of Freedom
Christopher Hitchens—political journalist, cultural critic, public intellectual and self-described contrarian—is one of the most controversial and prolific writers of his generation. Whatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.
“The controversial pundit dishes out and takes punishment in this anthology of rancorous essays by him and the leftist comrades he abandoned to embrace the invasion of Iraq. . . .There'’s red meat aplenty for pro- and anti-Hitchens readers.” - Publishers Weekly